WELCOME BOB

01. The Czars "Killjoy" from "The Ugly People Vs. The Beautiful People"
02. Five For Fighting "100 Years" from "The Battle For Everything"
03. 龙宽九段 "没有人会像我一样" from "我听这种音乐的时候最爱你"
04. 王菲 "Valentine's Radio" from "Queen's Fellows:Yuming 30th Anniversary"
05. 方大同 "叫我怎么说" from "SoulBoy"
06. Karen Ann "Midi Dans Le Salon De La Duchesse" from "Nolita"
07. Jamiroquai "Little L" from "Funk Odessy"
08. 尹健 "The Muse" from "My Romantic Occasion"
09. Bob Marley vs. Funkstar Deluxe  "Sun is Shining" 
10. R Kelly "Love Signals" from "Happy People/U Saved Me"
11. Justin Timberlake "My Love" from "Future Sex/Love Sounds"

音乐地图_映象_VA_OM CHILLED

Samantha James "Angel Love" / Headphonism Ft. Anna Meta "Guidance"

12. Tiga "You Gonna Want Me" from "Sexor"
13. Morcheeba "Wonders Never Cease" from "The Antidote"
14. 东山少爷 "珠玑路晨光" from "唱好广州2"

01. 王菲 "我爱你"
02. Keith Urban "Shine" from "Love, Pain and the crazy thing"
03. Lionel Richie "I Call It Love" from "Coming Home"
04. 张继聪 "宁愿晏D训"
05. Santana "Maria Maria" from "Supernatrual"
06. 杨坤 "牧马人" from "牧马人"
07. Lisa Ekdahl "The Color of You" from "Sings Salvadore Poe"
08. Jamiroquai "Love Foolosophy" from "Funk Odessy"
09. Miniflex "For a Lovely bust line" from "Miniflex"
10. Razorlight "America" from "Razorlight"
11. 便利商店 "Monkey Monkey" from "电视机猴"

音乐地图_映象_Husky Rescue-Ghost Is Not Real_哈士奇救援隊-虛假幽靈

Husky Rescue "Nightless Night"/"Caravan"

12. 东山少爷 "我们的九十年代" from "唱好广州2"
13. 易杰齐 "一整片天空" from "一整片天空"
14. Alanis Morissette "Hand Clean" from "Under Rug Swept"

 昨天临睡觉前顺手捻来一张PULP的Different Class, 没想到会如此一发不可收！

一直延续到现在，我想今天提早下班回家是有心理作动的！

“没想到的”感觉其实在10年前已经开始，听着Pulp这张专辑初中时候的记忆又“把把声”飞翻翻黎！

虽然无非都是鬼上身，在房间大条扭拧，但是一晃就10年，如今房间搬了，大了，眼前的对象也换了，以前是看着歌词本，如今是看着电脑里的YOUTUBE，可是那种荷尔蒙的分泌还是依然对味，依然火热！

WOW!! GOD!! I AM YOUTH AGAIN!

Pulp - Monday Morning - Underwear

Pulp - Common People (live)

这班观众真是SUPER SUPER SUPER X N!!!

突然很想记录这部电影。

这部电影无论是故事，拍摄或是外表都不是我平时喜欢的那种－－GLAMOUR！BRIGHTNESS!  TRENDY!  HUMOUR! SPARKLING! INSPIRING! WHATEVER THAT COULD BE SHINING! －－ 反而更是那些会让我大叫“米搞！”的作品！买了下来时，我一来是看中DVD上写着的“A Cult Epics Release”，二来是觉得男主角拿着刀具的样子很FREAKY，很SICK！所以.......Anyway 总之就是一次直觉投资！

随不知，原来是闷戏一部！(...公路电影....)

不过，横竖已经按下PLAY键，适逢又是Sunday，就算了吧！

很神奇的是，电影中用到的色调和拍摄速度，渐渐让我陷入不能自拔的僵持。质感上粗糙起毛似的色感，让我质疑是不是正在看着VCD，而在大片暗黑中颜色又能光暗明白，不会产生纯黑状况，在视觉上依然能清晰辨认事物，一种不正常，近似神经质的情绪于是开始涌现。另外，很按耐不住电影的镜头速度，大片大片的长镜头环视，配合上要么就是夜景，要么就是雨景的内容，真非得要平心静气下来，这种努力颇带有强迫力的，因为故事过程还会穿插主角主观的幻想，虚假真实间不断穿梭，那种寂寞，揪心的痛楚变得异常真切！镜头的停顿或拖延充当了可以给你喘气舒心的功能。

另外，电影中穿插着情诗的独白，以及80、90年代ROCK SCENE的代表歌曲，感觉很是BEAT GENERATION的东西。

一切的元素浓稠了电影中疏离悲沧的情感，心里的血在不经不觉中流泻！

毫无声色中激起暗涌。

.......................................................................................................

Dead Leaves (USA)

导演: Constantin Werner
主演: Haim Abramsky    Beth Gondek
片长: 80分钟
出品时间: 1998
 
情绪化的Joey生活在纽约，居无定所。他对女友Laura浪漫的爱突然走到了尽头，因为Laura死去了。Joey无法面对巨大创痛。他为她沐浴更衣，带上她的遗体开始了古怪的公路旅行，从新泽西一直到他西弗吉尼亚的家乡。她的身体在腐败，他也变得更加疯狂。

下面的影评写得真好！（我还没时间看呢～哈哈～）

Dead Leaves
(Cult Epics / R1 NTSC DVD)

Review by Annie Riordan （www.joehorror.com/0000615.html）

WARNING: The movie Dead Leaves is not for everyone. Side effects may include depression, suicidal inclinations, scurvy-like symptoms brought on by lack of sunlight and a desire to run right out after the end credits to the nearest coffee shop and discuss the film over decaf soy lattes with a pretentious, androgynous git dressed all in black. Do not watch Dead Leaves if you are addicted to fast paced, brainless slasher films, have a phobia of one hundred year old morbid poetry or currently have a dead body stashed in your bed. If you experience an erection lasting for more than four hours, you’re a sick fuck and I suggest that you rent yourself out as a portable coat rack.

Joey (Haim Abramsky) is a slightly unbalanced young man who looks a little like Jane’s Addiction frontman Perry Farrell, especially when he dresses up in his girlfriend’s underpants and shimmies around the living room. But anyway, Joey, his girlfriend Laura (Beth Gondrek) and her drawer full of panties all live very happily together in New York, despite the fact that their apartment is a squalid horror and the view from their window is one of urban despair. But never mind; they’re happy and very much in love with one another.

That is, until Laura - who never saw the point in plunking down $12.99 for a stepladder from Orchard Supply - falls to her death from a kitchen countertop, which she has foolishly tried to scale whilst wearing high heeled boots. A devastated Joey puts Laura’s corpse to bed and sits by her side for a very long but mostly undetermined amount of time. When his reverie is interrupted by a midget and some other guy (?) Joey packs a pillowcase, picks up a revolver, throws Laura over his shoulder and hits the road.

First stop - Trenton, New Jersey. Good move on the director’s part. If you want to infuse your movie with just the right amount of despair and dreary hopelessness, film in New Jersey. There’s nothing like a skyline full of smokestacks, cold, muddy riverbanks and relentless sheets of rain falling from slate gray skies to fill your soul with devastating loneliness and thoughts of suicide.

Joey checks into a motel room and goes to work on Laura. No, not like THAT, you sick pervo! He bathes her, carefully paints her finger and toenails and freshens her make-up, all in a desperate but unconscious attempt to stave off the appearance of death. As he lies beside her in the darkness, flashing back to their somewhat weird but happy past, it is not difficult to spot the pulse in Beth Gondrek’s throat. Oh well, it doesn’t really ruin the mood any.

As Laura slowly decays, Joey slips further into madness. Good thing it’s winter - cuts down on the ripe stench of rotting flesh and the multitude of flies, dontcha know. Joey lugs Laura’s body all along the eastern seaboard: Pennsylvania, Delaware and Maryland, every town as seedy and dismal as the last one. Joey’s continued maintenance of Laura’s fading beauty is mirrored in the landscape he drives through, and the parallels between human death and the decay of society seem obvious in retrospect, though I totally missed it while I was watching it.

Memories of the past - some good, some not so good - haunt Joey every step of the way, and with much of the dialog replaced by a frenzied narration of morbid old poetry (most notably Poe’s “Annabel Lee”) it’s a wonder Joey doesn’t lose it sooner than he does. As the film winds down to its inevitable ending, the question arises: Is Joey really insane? Or is he just trying to do what Laura would have wanted?

Great. Now I have that sappy crappy old song by Christopher Cross stuck in my head. “Think of Laaaauuura! But LAAAAUUGH, don’t CryyyYYYYYyyy, I KNOW she’d WANT it that WAY!” Gag. Dead Leaves is nowhere near as painful or as soul sucking as shitty old pop songs can be, but it is one of the more bleak and mood-lowering films I’ve seen in a while.

If you’re expecting action, thrills, danger and high speed car chases here, forget it. Nor will sickos hoping for some hose yanking, necrophiliac slab action a la Nekromantic walk away from this movie smugly satisfied. No, there’s none of that either. Dead Leaves is an art film. It moves very slowly, lingering long on shots of rain falling on car windows, panning at a snail’s pace over neglected streets and staring with a dead eye into the shadows of cheap motel rooms. Dead Leaves is, for those turned off by the term “art movie” one of the most morbid love stories I’ve ever seen. Think Romeo and Juliet, without the warring families and with the final scene in the crypt stretched out over 65 minutes. Yeah, it’s a short film with a simple plot, and the running time is perfect - it never seems stretched too long or too thin and everything that can be done with the story is done, and done well. I wasn’t bored at any time, though, sadly, I have a feeling I might be in the minority on this one.

The acting by Abramsky and Gondrek is impressive, and both are accessibly attractive. Some of the images in this film are absolutely beautiful, but only if you have an aesthetic appreciation for death and despair. The soundtrack consists mostly of classical pieces which sound like dirges and requiem masses. The poetry narrative that runs throughout is interesting; Poe, Rimbaud and I think I might have heard Baudelaire in there too, but I could be wrong.

No, this film isn’t for everyone. Many will be put off by the subject matter and others will wander off bored about halfway through it. But I liked it. It's well made, involving and visually impressive. Depressy, poetry loving doom-and-despair types will love it. Dress up in your black velvet mourning gown, light some candles and pop this in. If you aren’t hanging from the light fixture or slitting your wrists with a ceremonial blade by the time it’s over, then scurry off to the coffee shop and tell your friends all about it.

..........................................................................................................................................

DEAD LEAVES

 is the story of a young man who travels with the corpse of his deceased girlfriend

 from New York City to West Virginia.

01. Cortney Tidwell "Drink Up" from "Cortney Tidwell"
02. Shirley Kwan "大地之母" from "E-Zone"
03. DMDM "深沉冥想" from "爱上你只是我的错"
04. West Ends Girl "West Ends Girl" from "Goes Petshopping"
05. Cat5 "Sexy" from "Cat5"
 
胡蓓蔚新歌宣传采访

06. 胡蓓蔚 "自说自话"
07. 胡蓓蔚 "满天飞"
08. Sinead O'Connor "Nothing Compares To You"
09. Carpenters "We're just only begun"
10. Corrine Bailey Rae "Just like a star"
11. 胡蓓蔚 "Letting Go"